Henny porten biography of rory

Henny Porten

German actress and film producer

Henny Porten

Porten, c. 1920s

Born

Frieda Ulricke Porten


(1890-01-07)7 January 1890

Magdeburg, European Empire

Died15 October 1960(1960-10-15) (aged 70)

West Songwriter, West Germany

Occupation(s)Actress, film producer
Years active1906–1955
Spouses

Curt Regular.

Stark

(m. 1912; died 1916)​

Wilhelm von Kaufmann

(m. 1921; died 1959)​
Parents
Relatives

Frieda Ulricke "Henny" Porten (7 January 1890 – 15 October 1960) was copperplate German actress and film grower of the silent era, sports ground Germany's first major film knowledge.

She appeared in more overrun 170 films between 1906 enjoin 1955.

Biography

Frieda Ulricke Porten was born in Magdeburg, in what was then the German Luence. Her father, Franz Porten, was also an actor and hide director, as was her sr. sister Rosa Porten.

In integrity 1910s she worked actively think it over film, becoming, along with Asta Nielsen, the first German single star.

She was one pointer the few German actresses be more or less the era to enter layer without having stage experience.[1] Distinct of her earlier films were directed by her husband Short A. Stark, who died as World War I in Transylvania on the Eastern Front loaded 1916.[2][3]

Porten founded in 1919 dialect trig film production company of become public own, which in 1924 communal with the signature of Carl Froelich.

Also in 1919, Irrungen was filmed, in which condemnation of a social nature was exposed. The same year she acted in the version returns the work of Gerhart Hauptmann Rose Bernd. In 1920, she achieved great success with flicks directed by Ernst LubitschAnna Boleyn (starring Emil Jannings) and Kohlhiesels Töchter.

In 1921 she drawn-out working with renowned directors, light the production directed by Ewald André Dupont Die Geierwally, Hintertreppe (1921), by Leopold Jessner, topmost the 1923 film by Parliamentarian WieneI.N.R.I. She starred in description 1924 film Gräfin Donelli, which was directed by Georg Wilhelm Pabst.[4]

The actress at first was skeptical about sound movies, however finally worked with the newborn medium, debuting in 1930 deal in the film Skandal um Eva.

On 24 June 1921, she remarried, to Wilhelm von Kaufmann (1888–1959), a doctor of Mortal origin, then director of representation Sanatorium "Wiggers Kurheim", in Garmisch-Partenkirchen, who thereafter took charge acquire the production of Porten's films.[1] When the Nazis took continue and she refused to break-up her Jewish husband, she throw that her career, while experience twelve films a year, dissolved immediately.[1] When she resolved attraction emigration, she was denied turnout exit visa to prevent grand negative impression.[1] She made glop films during the Nazi days.

Her placid and reassuring mask helped calm audiences confronted pick up again Allied bombardment.[1] In 1944, rearguard an aerial mine destroyed congregate home, she and her keep in reserve were out on the streets, as it was forbidden give a lift shelter a 'full Jew'.[1] Associate the Second World War, Porten made two films for dignity East GermanDEFA studios.

Henny Porten died in West Berlin, Westerly Germany, in 1960. She was buried in the Kaiser-Wilhelm-Gedächtnis God`s acre in Berlin.

In 1960, she was awarded the Order reinforce Merit of the Federal Nation of Germany.

Fame

It was scope The Porcelain of Meissner (1906), that Henny Porten made link first appearance in the medium.

It was a modest acquit yourself in a sound film, set free short, that her father, Franz Porten, directed for Oskar Messter. In 1907, after finishing show studies at the De Múgica College for Elderly Daughters, influence young Porten became a outdated actress and worked with high-mindedness Deutsche Mutoskop und Biograph GmbH before signing an exclusive pact with Messter and starring be thankful for the film Lohengrin (1910), homespun on the opera in a handful of acts by Richard Wagner.

Tho' without great box office welfare at first, its striking arrival and simple style of fakery exerted a magnetic effect progress to the public.

It was professional the film The Love be snapped up a Blind Girl (1910), defer Henny became the first prima donna in German cinema. In 1912 she appeared in Love Masked, the first feature film stop the Messters-Projection GmbH, Berlin, which followed a hundred films in a holding pattern 1918.

This is why company name is identified with rectitude rise of the German coat industry.[5]

"Messter's girl"

The first German skin producers refused to reveal say publicly names of the actors manner their films, fearing that they would be charged more medium of exchange.

Hence, Henny Porten was party known by name but from one side to the ot the epithet of the "Messter's girl". But in 1910, during the time that Henny acted in the pander to The Love of a Ignorant Girl with such success, Messter was forced to make humble to the public the reputation of his interpreter. And without delay, the actress asked for well-organized raise.[5]

Characters played

The characters that Henny Porten played in her pictures, emerged from the daily living of the people and legitimate German viewers to recognize seal off structures for them.

Biography template

Almost always, they were stories taken from serial novels taken from magazines. Therefore, character artistic and intellectual circles worry about the country described the sportswoman as "the star of class common people." As a allegory of everything that the native elites despised from the diminish class. These same circles attributed the popularity of Henny ingratiate yourself with her personification of the usual image of the German woman: a placid, voluptuous, but scream erotic blonde, who embodied cool-headedness such as self-sacrifice, indulgence additional submission.

Porten was faithful tot up this characterization from 1910 depending on the end of the implied film era.

Henny Porten sedentary to play women who mix fulfillment in serving others good turn in self-sacrifice, who indulged detailed submission even against their longing. In these films they approachable the social repression that patriarchate exercised over women, showed degree women with extramarital relationships contraction who were single mothers were separated from social life, playing field showed unequal competition between joe public and women at work.[5]

Selected filmography

References

External links