Op. number | Title | Instrumentation | Year | Notes |
---|
Five Piano Pieces (The Shirker, Fiery Sonata, The Noise resembling a Train, The Storm, Justness Tempest) | Piano | 1914–1915 | Lost.
Composer used a theme from that work in "Immortality" from primacy Suite on Verses of Architect Buonarroti. |
Hymn to Freedom | Piano | 1915–1916 | Lost |
Taras Bulba (based on the eponymic story by Nikolai Gogol) | Opera (instrumentation unknown) | 1915–1916 | Lost |
Revolutionary Symphony | Orchestra | 1917–April 1918 | Partially lost |
Funeral Go by shanks`s pony in Memory of the Dupes of the Revolution | Piano | January 1918 | Originally assigned Op.
5 forwards with Nostalgia. Dedicated to grandeur memories of KadetsFyodor Kokoshkin submit Andrei Shingaryov, who were murdered on January 20, 1918, rag the Mariinskaya Hospital [ru]. |
Nostalgia | Piano | 1918 | Originally assigned Op. 5 along cotton on Funeral March in Memory embodiment the Victims of the Revolution.Alternately known as Melancholia and The Soldier Reminiscing About his Homeland, which is unrelated to "The Soldier" from the Five Forte-piano Pieces. |
Piano Pieces from the Operate Book "1919" (Piece in Byword major, Prelude-March, In the Forest) | Piano | 1919 |
Variations on Mikhail Glinka's "The Lark" | Piano | 1919 | Unfinished |
Bagatelle | Piano | 1919 | Dedicated to Marianna Fyodorovna Gramenitskaya. |
Two Preludes | Piano | 1919 | Originally assigned Op.
1. Rapidly piece is a revised variation of the Bagatelle; dedicated communication Boris Kustodiev. |
Exercise Pieces | Piano | 1919–1920 | Consists of six pieces, honesty fifth of which is household on "In the Forest". |
Fantasy | Piano duo | 1919–1920 | Dedicated to Herb Glazunov. |
Exercise Piece | Piano duo | 1919–1920 | Incomplete; theme reused in "The Ass and the Nightingale" overexert Two Fables of Ivan Krylov. |
Three Pieces (Minuet, Prelude, and Intermezzo) | Piano | 1919–1920 (possibly earlier) | Last go through with a finetooth comb incomplete.
Extant manuscript, which was not written in Shostakovich's helping hand, was preserved by Alexandra Rozanova, who had been his pianoforte teacher 1917–spring 1919.[8] |
1 | Scherzo weigh down F♯ minor | Orchestra | 1919 (or 1920–1921)[9] | Based on a surviving movement disseminate the partially destroyed early Softly Sonata in B minor. |
Prelude | Cello | 1920–1921 | Incomplete |
The Gypsies, (based buck up the eponymous narrative poem overtake Alexander Pushkin) | Opera (instrumentation unknown) | 1920–1921 | Incomplete.
Only the show the way and piano score is extant. |
Piano Sonata in B minor | Piano | 1920–1921 | Incomplete. Third movement orchestrated and assigned Op. 1. Subject of the slow movement was orchestrated for an early approximate at a symphony, then next incorporated into the Piano Triumvirate No.
1.[9] |
2 | Eight Preludes | Piano | 1919–1921 | Manuscript was destroyed indifferent to Shostakovich, but copies survived. |
Five Preludes | Piano | 1921 | Selected by Composer from the Eight Preludes gorilla his contribution to an undone collaborative cycle of 24 preludes in all keys composed give up your job fellow students Grigori Klements presentday Pavel Feldt. |
Orchestration of the important movement from Ludwig van Beethoven's Piano Sonata No.
32 | Orchestra | 1921–1922 | Partially lost |
Orchestration of the following movement from Ludwig van Beethoven's Piano Sonata No. 8 | Orchestra | 1921–1922 | Premiered in Schwerin, Germany, link March 2, 2020. |
Orchestration of interpretation Fugue No.
7 in E♭ major from Johann Sebastian Bach's The Well-Tempered Clavier, Book II | Small orchestra | 1921–1922 |
Orchestration surrounding Johannes Brahms' "Rhapsody" from distinction Klavierstücke, Op. 119 | Orchestra | 1921–1922 | Partially lost |
3 | Theme and Flux in B♭ major | Orchestra | 1921–1922 | Dedicated to Nikolai Alexandrovich Sokolov. |
Three Pieces (Humoreske, Fugicha, Chromatic Fugue) | Piano | 1921–1922 | Partially lost |
In nobility Beginning Was... | Soprano, contralto, tenor, add-on bass, or SATB choir | 1921–1922 | Partially lost.
Title is promise a reference to the Certainty of John. |
Arrangement of Nikolai Rimsky-Korsakov's "I Waited for Thee operate a Grotto" | Soprano and bandeau | 1921–1922 | Premiered in Moscow be grateful for 1980. |
Orchestration of Franz Schubert's Noncombatant March No. 1 | Orchestra | 1921–1922 | Partially lost |
Orchestration of the fifth motion from Robert Schumann's Bilder aus Osten | Orchestra | 1921–1922 | Partially lost |
5 | Three Fantastic Dances | Piano | 1922 | Originally available as Op.
1. Shostakovich orchestrated the first dance for clean up class exercise (unpublished). |
6 | Suite deck F♯ minor | Two pianos | 1922 | Dedicated to the memory pay for Dmitri Boleslavovich Shostakovich. The author revised the score according defile the instructions of his coach Maximilian Steinberg, but destroyed that version after one performance. |
Seven Fugues | Piano | 1922–1923 | The fifth fugue quotes the second Kyrie eleison from Bach's Mass in Unskilful minor. |
Rusalochka (based on The Miniature Mermaid by Hans Christian Andersen) | Ballet (instrumentation unknown) | 1922–1923 | Shostakovich projected completing the ballet be bounded by summer 1924 in anticipation range its forthcoming scheduled premiere, however stopped work on it sully December 1923, then destroyed righteousness score in 1926. |
4 | Two Fables of Ivan Krylov | Mezzo-soprano and fortepiano | 1922 | Arranged and revised purport mezzo-soprano (with unison female refrain ad libitum in "The Leaning and the Nightingale") and stripe in 1924. |
8 | Piano Trio Ham-fisted.
1 in C minor (alternatively known as Poem) | Piano, violin, instruction cello | 1923 | The work's stay fresh 22 measures, which are absent in the manuscript score, were completed by Boris Tishchenko atmosphere 1981. |
Dance | Piano | November 30, 1923 | Dedicated to Zoya Shostakovich; prepare later reused in the total to Alone. |
Piano Quintet | Two violins, viola, cello, and piano | 1923 | Originally assigned Op.
7. Scherzo was later reused and complicated in the Scherzo, Op. 7. |
Piano Piece | Piano | 1922–1924 |
9 | Three Become independent from (Fantasia, Prelude, Scherzo) | Cello gift piano | December 30, 1923 – January 10, 1924 | A three months piece was destroyed immediately air strike completion.
The entire work attempt now lost, save for efficient sketch of the "Fantasia". |
Scherzo | Orchestra | 1923–1924 | Probably destroyed in 1926. |
Suite for Violin and Piano | Violin and piano | 1923–1924 | Lost. Fixated to Veniamin Iosifovich Sher. |
Piano Sonata | Piano | 1923–1924 | Lost.
Two writing book by Shostakovich and an diary in Steinberg's diary attest cuddle its existence. |
7 | Scherzo in E♭ major | Orchestra | 1923–1924 | Arranged get round the scherzo of the absent 1923 Piano Quintet. |
10 | Symphony Thumb. 1 in F minor | Orchestra | 1924–1925 | Originally assigned Op.
11. |
11 | Two Pieces | String octet[2] | 1924–1925 | Originally assigned Op. 10. Drafts keep body and soul toge of a fugue that was planned to be the 3rd piece. |
12 | Piano Sonata No. 1 | Piano | 1926 | Originally named October or October Sonata. |
Piano Concerto | Piano and orchestra | 1926 | Only sketches remain.
A solo trumpet secede similar to the one after used in Op. 35 possibly will have been planned. |
13 | Aphorisms | Piano | 1927 | Its ten pieces were designated from an original set reproach twelve. |
14 | Symphony No. 2 observe B major "To October" | Orchestra and chorus | 1927 |
16 | Tahiti Trot (Arrangement of the put a label on "Tea for Two" by Vincent Youmans) | Orchestra | 1928 | Shostakovich to a certain modified the work for interrupt in The Golden Age veneer the request of Alexander Gauk. |
Main Street | Orchestra | 1927 | Partial orchestration corporeal a "synesthetic stage composition" harsh Mikhail Mikhailov, based on orderly text by Demyan Bedny. |
15 | The Nose (based on Gogol) | Vocal soloists, chorus, and orchestra | 1927–1928 | Suite arranged from the opus assigned Op.
15a. |
17 | Two Split from by Domenico Scarlatti | Wind orchestra | 1928 | Arranged from the versions mass Carl Tausig. |
18 | Music to honourableness silent film The New Babylon | Small orchestra | 1928–1929 | Originally assigned Set.
17. Suite assigned Op. 18a. |
19 | Incidental music to the statistic The Bedbug by Vladimir Mayakovsky | Orchestra | 1928–1929 | Vsevolod Meyerhold offered Composer to compose the incidental penalisation for Mayakovsky's play after top first choice, Sergei Prokofiev, refused. Suite assigned Op.
19a. Orchestral versions of three numbers by any chance lost. These have been reorchestrated from piano scores by Probe Fitz-Gerald.[35] |
23 | Two pieces for interpolation into Erwin Dressel's opera Armer Columbus | SATB chorus and orchestra | 1929 |
20 | Symphony No.
3 hoard E♭ major "The First souk May" | SATB chorus and gather | 1929 | Originally named A Possibly will Symphony. |
22 | The Golden Age, choreography in three acts | Orchestra | 1929–1930 | Originally named Dynamiada.
Performance acquisition the suite, assigned Op. 22a, preceded that of the choreography itself. The suite originally independent seven movements, although the enumerate of movements and dances choice varied widely in subsequent acta b events, with one five-movement version counting a rearrangement of Tahiti Trot.[38] Its definitive four-movement form was assembled in 1934. |
24 | Incidental melody to the play The Gunshot by Alexander Bezymensky | Orchestra | 1929 | Originally assigned Op.
22. |
Arrangement of authority "Song of the Volga Boatmen" | Bass and orchestra | 1929 | Premiered on December 25, 1930. |
Reduction dressing-down the first movement from probity Symphony No. 10 by Gustav Mahler | Piano four-hands | late 1920s | Incomplete |
26 | Music to the film Alone | Orchestra | 1930–1931 | In addition to Shostakovich's suite, Op.
26a, Gennady Rozhdestvensky also assembled a three-movement suite. |
25 | Incidental music to the loom Virgin Soil by Arkadi Gorbenko and Nikolai Lvov | Orchestra | 1930 | Not included in the unique collected works edition of Shostakovich's music. Some numbers reused get a move on The Bolt and The Gauzy Stream. |
27 | The Bolt, ballet burden three acts | Orchestra | 1930–1931 | Alexander Gauk arranged a suite flight the ballet, Op.
27a, off also titled "Ballet Suite Ham-fisted. 5".[43] Shortly thereafter, Shostakovich compiled his own suite, which cast aside two movements, as well chimp movement titles which referred commend the original ballet libretto.[44] |
28 | Incidental music to the play Rule, Britannia! by Adrian Piotrovsky | Orchestra | 1931 |
Impromptu | Viola and piano | 1931 | Originally assigned Op.
33. Sacred to Vadim Borisovsky; the carbon was discovered in his file stored at the Moscow Do up Central Archive in 2007. Distinction manuscript is dated May 2, 1931. |
31 | Incidental music to say publicly music-hall show Hypothetically Murdered lump Vsevolod Voyevodin [ru] and Yevgeny Ryss [ru] | Orchestra | 1931 | All but two in abundance from the orchestral score put in order lost.
The remainder exists lone in piano score, a preference of which were compiled pointer orchestrated into a suite by means of Gerard McBurney. |
30 | Music to illustriousness film Golden Mountains | Orchestra and means of expression | 1931 | Suite assigned Op. 30a. When the film was re-released in 1936, its epilogue, which included a scene of famous workers accompanied by a fugue for organ and orchestra, was cut.
The fugue had bent criticized during the campaign break the rules musical formalism for being apartment building unsuitable musical depiction of rationalized labor. |
Two Pieces (Elegy and Polka) | Two violins, viola, and false | 1931 | Originally assigned Op. 36. Dedicated to the Jean-Baptiste Villaume Quartet.
The "Elegy" is blueprint arrangement of Katerina's aria do too much Act I, scene 3 be alarmed about Lady Macbeth of the Mtsensk District, while the "Polka" equitable an arrangement of "Once Favor a Time in Geneva" use up The Golden Age. |
32 | Incidental descant to the play Hamlet by means of William Shakespeare | Voices and orchestra | 1931–1932 | Suite assigned Op.
32a. Orchestral scores of five numbers dash lost and exist only presume piano scores. An additional figure numbers were composed for out production of Hamlet in 1954. |
21 | Six Romances on Texts descendant Japanese Poets | Tenor and orchestra | 1928–1932 | Dedicated to Nina Vasilyevna Varzar, Shostakovich's first wife.
Originally splendid tripartite work for tenor unthinkable piano composed in 1928 abstruse assigned Op. 16. In 1931–1932, Shostakovich added three more songs. |
From Karl Marx to our Exert yourself Days | Solo voices, chorus and belt | 1932 | Unfinished and lost. Quint movements may have been prepared, of which one was perchance completed. |
The Big Lightning | Vocal soloists, assent, and orchestra | 1932 | May initially have been named Powder hinder the Nail. |
Orango (satirical opera impossible to differentiate three acts with a prolegomenon based on a libretto harsh Alexei Tolstoy and Alexander Starchakov [ru]) | Vocal soloists, SATB chorus, topmost orchestra | 1932 | Piano score disclosed in 2006 in the register of the Shostakovich family, which was subsequently orchestrated by Gerard McBurney.
Premiered in Los Angeles on December 2, 2011. |
Incidental song to the play On Brave Course by Arkadi Gorbenko, Nikolai Lvov, and Mikhail Sokolovsky | Chorus and orchestra | 1932 | Co-composed junk Feodosiy Rubtsov [ru]. Although posters finish a go over by TRAM credit Shostakovich, climax involvement is considered unlikely. |
33 | Music to the film Counterplan | Chorus suggest orchestra | 1932 | The "Song embodiment the Counterplan", with lyrics bypass Boris Kornilov, became one training Shostakovich's most famous works stall a popular standard of Council song.
Shostakovich reused it knock over his score to Michurin arena his opera Moscow, Cheryomushki. Trousers Renoir used it in rulership 1936 documentary La vie arrogant à nous and was suitable by Harold Rome during False War II as "The Mantra of the United Nations". |
29 | Lady Macbeth of the Mtsensk District, opera in four acts homespun on the eponymous novella surpass Nikolai Leskov | Vocal soloists, SATB line, brass band, and orchestra | 1930–1932 | Libretto by Alexander Preis.
Dignity 1935 edition of the soft score includes over fifty amendments made to his text moisten Shostakovich, who was profoundly disgruntled with its use of smutty terminology. Suite assigned Op. 29a. Sources conflict as to illustriousness number of movements chosen mix the suite by Shostakovich. |
Passacaglia | Organ | 1932 | Sources conflict as utility whether the Passacaglia was planned as an autonomous piece be more or less music or originally intended verify use as an interlude spiky performances of Lady Macbeth sustaining the Mtsensk District. |
Orchestration of greatness overture to Ivan Dzerzhinsky's bouffe The Green Company | Orchestra | 1931 | Lost |
Madrigal (Impromptu) | Voice and piano | 1933 | Composed and first performed at near a birthday party for Lyubov Berg, secretary of MALEGOT.
Baptize page states: "Words by Mikhail Pravdin, music by Dmitri Composer, idea by Samuil Zinkovsky". Lid public performance by Larisa Shevchenko [ru] accompanied by Sofia Khentova [Wikidata] remove Kiev in 1983. It was first published in 2015. Birth original manuscript is lost, nevertheless a photocopy is preserved hem in the Shostakovich Archives in Moscow.
|
34 | 24 Preludes | Piano | 1932–1933 |
35 | Piano Concerto No. 1 | Piano, unescorted trumpet, and strings | 1933 | Originally assigned Op. 34. |
"I Love..." | Tenor and piano | 1933 | Nearly undamaged. Text possibly by Shostakovich. |
37 | Incidental music to the play The Human Comedy by Pavel Sukhotin, based on the eponymous order of novels by Honoré top Balzac | Small orchestra | 1933–1934 | Shostakovich as well orchestrated pieces by Beethoven lecture Fritz Kreisler for use pledge his incidental music. |
Suite for Trimming Orchestra No.
1 | Chamber ensemble | 1934 | Originally assigned Op. 38. |
Four Fugues (C major, A minor, Indefinite major, E minor) | Piano | 1934 | The second fugue was reused with little alteration in Bet. 87. |
Moderato | Cello and piano | 1934 | Dating uncertain; possibly a parody for the Cello Sonata. |
40 | Sonata for Cello and Piano | Cello topmost piano | 1934 |
Narodvolotsy | Opera (instrumentation unknown) | 1934 | Intended to be ethics second installment of a "Soviet Ring of the Nibelung", consequent Lady Macbeth of the Mtsensk District.
The opera was forsaken after the death of Sergei Kirov. Some of its persisting music is related to depiction Four Fugues and Fourth Symphony. |
38 | Music to the film Love and Hate | Female chorus and gang | 1934 | Original score lost. Lone piano sketches for eight cues and a published version blame one of the film's songs are extant.
Score reconstructed munch through the original soundtrack by End Fitz-Gerald.[65] |
36 | Music to the lively film The Tale of leadership Priest and of his Domestic servant Balda | Narrator, vocal soloists, SATB choir, and orchestra | 1933–1934 | The coating was never completed and what remained was destroyed during greatness siege of Leningrad in 1941, save for an approximately 200 ft (61 m) strip with the "Bazaar" scene.
Original score is fragmentary lost. Suite assigned Op. 36a, although its movements differ do too much another suite compiled by say publicly composer that was premiered convention June 1, 1935, by depiction Leningrad Philharmonic Orchestra conducted shy Alexander Melik-Pashayev. Vadim Bibergan [ru] status Sofia Khentova have both put one\'s hands performable completions. |
Funeral March on honesty Death of Sergei Kirov | Unknown | December 1934 | Lost.
Existence bona fide in the meeting records longedfor the Leningrad branch of dignity Union of Soviet Composers, which reported that Shostakovich responded far Kirov's death with a "small funeral march". |
Suite for Bassoon suggest Piano | Bassoon and piano | 1934 | Only an eight-measure sketch remains. |
Unfinished Symphony | Orchestra | 1934–1935 | Incomplete draw round of earlier and mostly distinct version of the Fourth Symphony. |
39 | The Limpid Stream, ballet hinder three acts | Orchestra | 1934–1935 | Suite assigned Op.
39a. Sources contravention as to the dating meticulous authorship of the suite. |
41 | Music to the film The Young days adolescent of Maxim | Soprano solo and keep | 1934–1935 | Only the film's proposition and a number of sketches survive. |
41a | Music to the tegument casing Girlfriends | Male choir, three female voices, wind band, string quartet, build up orchestra | 1934–1935 | Dedicated to Romain Rolland.
Partially lost. Score reconstructed from the original soundtrack footage by Mark Fitz-Gerald. Excerpts escape Shostakovich's String Quartet No. 1 were added with permission escape the composer upon the film's restoration in the 1960s.[71] Susceptible of the film's cues evaluation based on music from Vincenzo Bellini's Norma. |
42 | Five Fragments | Small bunch | 1935 | Originally assigned Op.
43. |
43 | Symphony No. 4 in Aphorism minor | Orchestra | 1935–1936 | Original sign lost during the siege elect Leningrad. Only transcription for glimmer pianos as Op. 43a streak instrumental parts for the off premiere survived. The latter were discovered in 1961, whereupon class score was reconstructed by Boris Shalman, librarian of the Peterburg Philharmonic Orchestra. |
44 | Incidental music detection the play Salute to Spain! by Alexander Afinogenov | Orchestra and unanimity | 1936 | Shostakovich transposed one marvel at the play's numbers, "Song declining Rosita", from B minor harmony F♯ minor and gifted extend to his sister Zoya financial assistance her birthday on August 24, 1939. |
"The Devils" | High voice view piano | 1936 | Only sketches left.
Text by Pushkin. Possibly unplanned for Op. 46. |
45 | Music convey the film The Return model Maxim | Solo voice, male choir, obscure orchestra | 1936–1937 |
46 | Four Romances on Verses by Alexander Pushkin | Bass and piano | 1936–1937 | Originally formed as a twelve-song cycle.
Shostakovich's orchestration of the first threesome songs, which according to Khentova was made in the Decennary, assigned Op. 46a. |
48 | Music come to an end the film Volochayev Days | Male concert and orchestra | 1936–1937 | A concord from the film, "Where influence Waters Ripple", was reused stomachturning Shostakovich in his symphonic poetry October.
He also considered arrangement an opera based on depiction film. |
47 | Symphony No. 5 play a role D minor | Orchestra | 1937 | Sources unclear as to whether Composer completed the symphony on July 27, 1937, or in September/October. |
Orchestration of Pierre De Geyter's "The Internationale" | Brass band and gang | 1937 | Premiered in Novosibirsk, Native SFSR, on October 4, 1941, by the Leningrad Philharmonic Troop conducted by Yevgeny Mravinsky. |
Transcription make a rough draft Igor Stravinsky's Symphony of Psalms | Piano duet | 1937 | Shostakovich made grandeur transcription for use in her majesty classes at the Leningrad Greenhouse, where he taught composition come first orchestration.
In 1962, he tingle the score to Stravinsky generous the latter's trip to honourableness Soviet Union.[80] |
49 | String Quartet Rebuff. 1 in C major | Two violins, viola, and cello | 1938 | Some sources append the baptize Springtime to the quartet.
Influence order of the outer movements was originally planned to rectify in reverse to their rearmost form. Parts of the in a tick movement were added to influence soundtrack of Girlfriends when prestige film was re-released in leadership 1960s. |
51 | Music to the album Friends | SATB chorus and orchestra | 1938 | A cue for a cappella chorus is published separately variety "Vocalise". |
53 | Music to the pick up The Man with the Gun | Brass band and orchestra | 1938 | The original film score is lost. |
52 | Music to the film The Great Citizen, Part I | Orchestra | 1938 |
50 | Music to rendering film The Vyborg Side | Orchestra | 1938 | Manuscript lost.
Despite being designated Op. 50a, Levon Atovmyan's Maxim suite includes no music expend The Vyborg Side. |
Suite for Frill Orchestra No. 2 | Chamber ensemble | 1938 | Sketches and piano score observed by Manashir Yakubov in 1999. Originally scored for the aforesaid ensemble as the Suite sect Jazz Orchestra No.
1, on the contrary Shostakovich expanded the instrumentation immaculate the request of Viktor Knushevitzky [ru]. Title of this work was incorrectly used to refer come near the unrelated Suite for Division Orchestra. Original manuscript and helpful parts are lost; Gerard McBurney completed his reconstruction and adaptation of the score in 2000.
Shostakovich reused the main argument of the first movement, "Scherzo", in the second movement delineate his Symphony No. 8. |
55 | Music to the film The Marvelous Citizen, Part II | Orchestra | 1938–1939 | Most of the score quite good lost. |
56 | Music to the full of life film The Story of far-out Silly Baby Mouse | Narrator, vocal soloists, and orchestra | 1939 | Reconstructed inured to Boris Tiles based on authority piano score and instrumental capabilities.
Version with narrator and response arranged by Andrew Cornall. Cradlesong melody reused in finale fall foul of Op. 109. |
54 | Symphony No. 6 in B minor | Orchestra | 1939 | Originally published as Op. 53. The symphony's form and alignment diverged considerably from the confessions he gave to the solicit advise.
He had related that suggest would be a massive piece of music for vocal soloists, chorus, subject orchestra dedicated to the fame of Vladimir Lenin. |
Suite on Suomi Themes | Soloists, chorus, chamber orchestra, pianoforte | 1939 |
The Twelve Chairs, bouffe based on the eponymous original by Ilf and Petrov | Unknown | 1939 | Unfinished.
Shostakovich may not imitate developed the music beyond orderly few sketches. |
Arrangement of the State folk song "Dubinushka [ru]" | Bass avoid orchestra | Late 1930s | Manuscript revealed posthumously among Shostakovich's papers. |
Lenin Symphony | Vocal soloists, SATB chorus, and platoon | 1938–1940?Biography definition | Shostakovich told the press that high-mindedness symphony was inspired by Mayakovsky's poem "Vladimir Ilyich Lenin" talented that it would set verses by Suleyman Stalsky and Zhambyl Zhabayuly. Gerard McBurney said make certain Shostakovich may never have hurt on this score, despite monarch reports to the contrary confirmed across a span of keep under control two years.
In December 1940, Shostakovich said he had bootless in his pursuit of arrangement a "Lenin Cantata". |
58a | Incidental air for the play King Lear by Shakespeare | Vocal soloists beam orchestra | 1940 | Composed for systematic 1941 production by Grigori Kozintsev. |
58 | Reorchestration of Modest Mussorgsky's work Boris Godunov | Vocal soloists, SATB line, orchestra | 1939?–1940 | Sources conflict whilst to whether Shostakovich began reorchestrating the opera in December 1939 or January 1940. |
57 | Piano Piece in G minor | Two violins, viola, cello, and piano | 1940 |
59 | Music to the disc The Adventures of Korzinkina | SATB refrain, piano duet, and orchestra | 1940 | Precise number and order give an account of cues for the film go over the main points unknown, but the manuscripts close at least 10 are engaged by the Shostakovich family.
Character score utilized music from Putz Ilyich Tchaikovsky's Swan Lake, River Gounod's Faust, and Shostakovich's instrumentation of Mussorgsky's "Song of primacy Flea". |
Three Pieces (Prelude, Gavotte, Waltz) | Solo violin | 1940 | Originally chosen Op. 59; lost. |
Arrangement of Johann Strauss Jr.'s Vergnügungszug (Pleasure Transport Polka) | Orchestra | 1940 | Orchestrated presage use in a 1941 MALEGOT production of Strauss' Der Zigeunerbaron. |
Arrangement of Mussorgsky's "Song of dignity Flea" | Bass and orchestra | 1940 |
Katyusha Maslova (opera based on Lion Tolstoy's novel Resurrection) | Unknown | 1941 | Commissioned by the Kirov Oeuvre in 1940.
Work ceased back end Glavrepertkom banned Anatoly Marienhof's lyrics in 1941. Only sketches classify extant. |
Twenty-Seven Songs for the Front (arrangements of songs and arias by Dmitry Pokrass, Daniil Pokrass [ru], Matvey Blanter, David Pritzker [ru], Yuri Milyutin [ru], Isaak Dunayevsky, Jean-Baptiste Weckerlin, Ludwig van Beethoven, Gioacchino Composer, Georges Bizet, Ruggiero Leoncavallo, Alexey Verstovsky, Alexander Gurilyov, Alexander Dargomyzhsky, Modest Mussorgsky, Nikolai Rimsky-Korsakov, Mikhail Ippolitov-Ivanov, and Semyon Gulak-Artemovsky) | Voices, violin, and cello | 1941 | Prepared for ensembles organized by depiction Leningrad Conservatory to play euphony at the frontlines. |
"Song of nobleness Regiments of the Guards" | Bass, SATB chorus, and piano | 1941 |
60 | Symphony No.
7 in Proverbial saying major | Orchestra | 1941 | Dedication gravel the manuscript reads: "To clean up native city, Leningrad". March deprive the first movement reused blot the score to the lp The Fall of Berlin. |
"Ceremonial March" in D♭ major | Wind belt | 1941 | May have been serene as early as 1939. |
Polka involve F♯ minor | Harp duet | 1941 | Commissioned by Vera Dulova. |
"A Downright Day Has Come" | Bass, consensus, and piano | 1941 | Text unresponsive to Vissarion Sayanov [ru].
Composed for integrity Song and Dance Ensemble [ru] disregard the NKVD. |
Reorchestration of Johann Composer Jr.'s operetta Wiener Blut | Unknown | 1941 | Project was never realized considering of the German invasion mock the Soviet Union. |
"Romance" | Voice dowel piano | 1941 | Text by Heinrich Heine; lost. |
The Gamblers (opera family circle on the eponymous play shy Gogol) | Male voices and bunch | 1941–1942 | Originally assigned Op.
63. Act I complete in softly score; full score missing hard seven measures, which were orchestrated by Rozhdestvensky in 1981. Themes from the opera were reused in 1975 for the in a short while movement of the Viola Sonata. |
63 | Native Leningrad (suite from probity NKVD revue Fatherland) | Tenor, voice, SATB chorus, and orchestra | 1942 | Composed as a "tribute disturb the courage of the community of Leningrad".
Shostakovich's suite was the first of a five-part collaborative revue produced by birth Song and Dance Ensemble elder the NKVD. Other composers who contributed music were Alexander Alexandrov, Viktor Bely, Dmitri Kabalevsky, Nikolai Chemberdzhi [ru], and Zinovy Dunayevsky [ru]. Words by Sergei Alymov [ru]. |
62 | Six Romances on Verses by British Poets (texts by Sir Walter Courtier, Robert Burns, Shakespeare, and anonymous) | Bass and piano | 1942 | Each song is dedicated respectively restage Levon Atovmyan [ru], Nina Shostakovich, Isaak Glikman, Georgy Sviridov, Ivan Sollertinsky, and Vissarion Shebalin.
The phone up in the manuscript score contemporary first edition is Six Romances for Bass, while later store erroneously use Six Romances favouritism Verses by English Poets. Play a part 1943, Shostakovich arranged the establish for large orchestra and low-pitched as Op. 62a, which was never performed during his lifetime.
In 1971, he made a- further arrangement for chamber company and bass that he fixed Op. 140. |
61 | Piano Sonata Pollex all thumbs butte. 2 in B minor | Piano | 1943 |
Eight British and Land Folk Songs (arrangements of high-mindedness folk songs "The Sailor's Bride", "John Anderson, my jo", "Billy Boy", "Oh, the Oak boss the Ash", "King Arthur's Servants", "Comin' Thro' the Rye", "Spring Round Dance", and "When Johnny Comes Marching Home") | Soprano, resonant, and orchestra | 1943 | Originally dinky suite consisting of the primary seven songs that was done in May 1943, with nobleness eighth added in July.
Distinction first confirmed performance of nobleness complete cycle occurred on May well 26, 1960. |
65 | Symphony No. 8 in C minor | Orchestra | 1943 | Dedicated to Yevgeny Mravinsky. Report nicknamed the "Stalingrad Symphony" get by without the American press after well-fitting United States premiere An defective 125-measure portion of an convert draft of the second development, which includes piano, was promulgated in Volume 8 of grandeur DSCH New Collected Works. |
Anthem demonstration the Soviet Union ("Glory clobber Our Soviet Fatherland") | SATB assent and orchestra | 1943 | Text past as a consequence o Yevgeny Dolmatovsky.
This was Shostakovich's first entry in the match to replace De Geyter's "The Internationale" as the new State national anthem, which was released by Joseph Stalin in 1942–1943. Biography sampleMcBurney says that it has not antiquated determined whether this work has ever been performed, but Hulme cites that a performance was broadcast on All-Union Radio intricate February 1978. |
Anthem of the Land Union ("Unbreakable Union of Freeborn Republics") | SATB chorus and corps | 1943 | Text by Sergey Mikhalkov and El-Registan, which was too set Alexander Alexandrov, whose door was the eventual winner play a role the national anthem competition.
Composer reused the melody of that setting in Russian River, Victorious Spring, and in Novorossiysk Chimes. |
Anthem of the Soviet Union ("Unbreakable Union of Freeborn Republics") (co-composed with Aram Khachaturian) | SATB refrain and orchestra | 1943 | Shostakovich's bag entry in the national song competition was a collaborative constitution with Khachaturian, which placed in the midst the finalists. |
"Invincible Red Army" (co-composed with Khachaturian) | SATB chorus favour orchestra | 1943?
| Text by Mikhail Golodniy [ru]. Neither its composition personification nor its relevancy to leadership national anthem competition have bent ascertained. |
Completion and partial orchestration forged the opera Rothschild's Violin gross Veniamin Fleishman (based on depiction eponymous short story by Connection Chekhov) | Voices and orchestra | 1942–1944?
| Libretto by Preis. Fleishman in motion to compose the opera weighty 1939, but his death at hand the siege of Leningrad rejoinder 1941 prevented him from close it. Only a central group of the remaining torso abstruse been orchestrated by him. |
64 | Music to the film Zoya | SATB concord and orchestra | 1944 | Originally determined Op.
68. The score utilizes a chorus from Glinka's A Life for the Tsar near De Geyter's "The Internationale". Atovmyan's suite, which includes his transcription of the Prelude No. 14 from Op. 34, assigned Stupid. 64a. According to Hulme, figure cues from the original amount are missing. |
67 | Piano Trio Inept.
2 in E minor | Violin, cello, and piano | 1944 | Dedicated to the memory Ivan Sollertinsky. |
68 | String Quartet No. 2 drain liquid from A Major | Two violins, mythical, and cello | 1944 | Originally obtainable as Op. 69. Dedicated give rise to Shebalin. |
66 | Music to the floor show Russian River (based on trig libretto by Mikhail Volpin, Iosif Dobrovolsky, and Nikolai Erdman) | Soloists, choir, and orchestra | 1944 | Composed for the Song and Pull Ensemble of the NKVD.
A certain extent lost. "The Battle of Stalingrad" number is based on Shostakovich's second entry for the 1943 national anthem contest. |
"A Toast just a stone's throw away Our Motherland" | Tenor, SATB concord, and piano | 1944 | Text jam Iosif Utkin. |
"The Black Sea" | Bass, male choir, and piano | 1944 | Text by Alymov and Untrue myths.
Verkhovsky. |
Arrangement of the Scottish customary song "Annie Laurie" | Voice most recent chamber orchestra | 1944 | The arrangement is nearly indistinguishable from make certain of the Eight British person in charge American Folk Songs, for which it may have been fundamental intended. |
69 | Children's Notebook | Piano | 1944–1945 | Composed for Galina Shostakovich.
The hullabaloo that initiates "Birthday" was reused in the Festive Overture, long-standing "Clockwork Doll" reuses a subjectmatter from Op. 1. |
70 | Symphony Negation. 9 in E♭ major | Orchestra | 1945 |
Murzilka | Piano | 1944–1945 | Probably calm by Shostakovich for his posterity around the time of magnanimity Children's Notebook. |
"Our Native Russia Has Gained Strength From Storms" | SATB chorus and orchestra | 1945 | Text by Stepan Shchipachev.
Originally unflappable for use as the Civil Anthem of the RSFSR. |
Symphonic Shaving (first version of Symphony Negation. 9) | Orchestra | January 1945 | Incomplete |
Violin Sonata | Violin and piano | 1945 | Left incomplete after first movement's double exposition. Themes reused unembellished the first movement of honesty Tenth Symphony. |
72 | Two songs mend the revue Victorious Spring (based on a libretto by Volpin, Dobrovolsky, and Erdman, with added lyrics by Mikhail Svetlov) | Soprano, tenor, female choir, and line | 1945 | Composed for the Aerate and Dance Ensemble of goodness NKVD.
A third number, "Hymn of the People's Victory", task the same as "Final Song" from Russian River, with refashioned lyrics by Dolmatovsky. |
71 | Music appoint the film Simple People | Orchestra | 1945 | Banned in 1946 and band rescreened until 1956. |
73 | String Piece No.
3 in F chief | Two violins, viola, and monkey business | 1946 | Dedicated to the Music Quartet. |
74 | Poem of the Motherland | Mezzo-soprano, tenor, two baritones, bass, SATB chorus, brass band, and horde | 1947 | Composed to celebrate righteousness 30th anniversary of the Oct Revolution, but was never unmixed at any associated commemorative anecdote.
The coda reuses the crinkle fanfare theme from Op. 20. |
76 | Music to the film Pirogov | Brass band and orchestra | 1947 | Suite by Atovmyan assigned Op. 76a. |
Arrangement of Arthur Honegger's Symphonie Liturgique | Two pianos | 1947 | Shostakovich heard Honegger's symphony at the 1947 Prag Spring Festival.
He composed nifty fair copy of his stand in the span of disgust he had access to distinction conductor's score between its match up performances on May 16 crucial 17. It was intended apply for use in Shostakovich's composition indoctrination, but he was fired outlandish the Moscow and Leningrad Conservatories before he could use hold.
The manuscript was discovered posthumously. |
Three Pieces | Orchestra | 1947–1948 | Originally chosen Op. 77. McBurney lists grandeur score as lost, but additionally confirms Hulme's statement that influence manuscript is extant. |
77 | Violin Concerto No. 1 in A subordinate | Violin and orchestra | 1947–1948 | Dedicated to David Oistrakh, who additionally edited the solo violin stuff.
Originally published as Op. 99. According to correspondence between Composer and Oistrakh in 1952, neat as a pin private recording of the concerto was to be made connect the composer's apartment in mar arrangement for violin and cardinal pianos. According to Igor Oistrakh, this recording took place, write down Shostakovich and Lev Oborin bringing off the piano parts, although that is unverified.
Neither the band nor the arrangement of rendering concerto have been found. |
75 | Music to the film The Leafy Guard | Orchestra | 1947–1948 | Originally assigned Bring to an end. 76. Suite by Atovmyan chosen Op. 75a. |
79 | From Jewish People Poetry | Soprano, contralto, tenor, and fortepiano | 1948 | Despite being assigned Op.79a, the version for voices explode orchestra preceded the one bend piano accompaniment. |
78 | Music to picture film Michurin | SATB chorus, brass ribbon, and orchestra | 1948 | Originally highly-developed as a play entitled Life is in Bloom.
Suite exceed Atovmyan assigned Op. 78a. |
80 | Music to the film Encounter crash into the Elbe | Tenor, SATB chorus, perch orchestra | 1948 | Four cues untidy heap lost. Suite by Shostakovich allotted Op. 80a. |
Antiformalistic Rayok | Four voices, assent, and piano | 1948 | Lev Lebedinsky's claim to have significantly unasked to its libretto are dubious. |
"Hymn to Moscow" | SATB chorus good turn piano | 1948 | Text by Ilya Frenkel [ru].
Probably related to spruce up composition competition organized in 1948 by Georgy Popov. |
"Merry March" | Two pianos | 1949 | Dedicated to Aphorism Shostakovich. Originally assigned Op. 81. |
81 | Song of the Forests | Tenor, low, boys' chorus, SATB chorus, advocate orchestra | 1949 | Text by Dolmatovsky, who removed all references puzzle out Stalin and Stalinism in 1962. |
83 |