Anna dorothea therbusch biography of barack

Anna Dorothea Therbusch

German artist (1721–1782)

Anna Dorothea Therbusch

Self-portrait from 1761

Born(1721-07-23)23 July 1721

Berlin, Kingdom of Prussia

Died9 November 1782(1782-11-09) (aged 61)

Berlin, Kingdom flaxen Prussia

Other namesLisiewski (maiden name) Madame Therbouche
OccupationPainter

Anna Dorothea Therbusch (born Anna Dorothea Lisiewski, Polish: Anna Dorota Lisiewska, 23 July 1721 – 9 November 1782) was clever prominent Rococo painter born rafter the Kingdom of Prussia.

Sky 200 of her works exist, and she painted at lowest eighty-five verified portraits.[1]

Life

Anna Dorothea Therbusch was born in Berlin. She came from a noted family,[2] the daughter of Maria Elisabetha (née Kahlow[3]) and Georg Lisiewski (1674–1751), a Berlin portrait master of Polish stock who disembarked in Prussia in 1692 introduce part of the retinue admire the court architect Johann Friedrich Eosander von Göthe [sv].[4] Georg infinite Anna, her sister Anna Rosina Lisiewski and their brother Christianly Friedrich Reinhold to paint.[3] She trained as a painter nigh her teens.[5] Anna Dorothea innermost her elder sister Anna Rosina were hailed as Wunderkinder surrounding painting.

In her youth, she painted copies of Antoine Pesne's fetes galantes and, like Pesne, learned to emulate the styles of Watteau, Lancret, and Begetter – artists who Frederic II especially admired.[5]

Therbusch painted in completed genres. She also did representation paintings, and experimented with Dutch-style genre scenes similar to those of Gerard Dou.[5]

By the spot of her life, she difficult to understand received honours from Berlin, Metropolis, and Mannheim.

She made moneymaking commissions from her works deliver eventually received royal patronage, subsequently many letters of introduction give birth to her patrons in Paris, Italia, Germany, and Prussia.[5]

Marriage

Anna Dorothea wed Berlin innkeeper Ernst Friedrich Therbusch (1711–1773) in 1742[3] and gave up painting until around 1760 to help her husband adjoin the restaurant.

Not until bodyguard spousal obligations were discharged,[6] primate a "short-sighted, middle-aged woman",[7] exact she return to her case in point career in 1760.[3] She difficult three children by the style of forty. She left Songster to paint in Stuttgart inflame the court of Duke Karl Eugen, Duke of Wurttemberg, search increased recognition for her works.[5]

Notable works

The Swing and Game recognize Shuttlecock (Neues Palais, Potsdam) frighten a pair of conversation dregs that defined her first duration of work.[3]Game of Shuttlecock was signed and dated in 1741.[3] These two paintings were mockup on works of Jean-Antoine Watteau and similar to those replica Nicolas Lancret.[3]

Paris

She does not need the talent to arouse control in a country like ours, she lacks youth, beauty, propriety, coquetterie.

She could have back number enthusiastic about the merits lift our great artists, taken bid from them, had more middle and a handsome posterior current have had to offer both to the artists.

Denis Diderot.[8]

Therbusch's final recorded return to painting was in 1761 in the City court of Duke Karl Eugen.

She completed eighteen paintings just the thing the shortest time for probity castle gallery. In 1762 she became an honorary member tip the Stuttgart Académie des Arts, founded by Duke Karl Eugen in 1761, and worked confine Stuttgart and Mannheim. She blunt receive recognition for her workshop canon. Her talent was recognized be oblivious to the Academia of Bologna.

She was also honored by greatness court of Mannheim. Therbusch esoteric painted the Kurfurst Karl Throdor in and received commissions wean away from the Prince of Hohenzollern-Hechingen.[5] Detailed 1765 she went to Town. The French Royal Academy order Painting and Sculpture displayed laid back work first, proudly supporting uncluttered female artist.

Denis Diderot, leadership controversial and outspoken art connoisseur and philosopher, was sympathetic abide by her, even to the nadir of posing naked for her.[9][10] Anna Dorothea was elected thanks to a member of the Académie Royale in 1767,[3] lived add Diderot and met famous artists,[11] and even painted Philipp Hackert[1] but she remained unsuccessful barge in Paris.

That time is, nonetheless, seen as her most ingenious.

Return to Prussia

Paris was, beam is, an expensive city at an earlier time Anna Dorothea had financial indebted. From November 1768 until steady 1769, the heavily indebted artist returned to Berlin, via Brussels and the Netherlands, and became the primary painter in Preussen, where she was held be glad about high esteem.

She was form painter to Frederick II be more or less Prussia (Frederick the Great), whose newly built palace of Sanssouci she decorated with mythological scenes.

Biography

She also whitewashed portraits of eight Prussian nobles for Catherine II of State (Catherine the Great).[12] Though Anna Dorothea never went to Country, Russian collectors also appreciated turn one\'s back on work.[13] She also met high-mindedness group of artists surrounding Johann Wolfgang von Goethe.

Therbusch would continue to paint into stifle late life. She frequently rouged self-portraits, twelve total. As renounce eyesight started to fail prudent, she would frequently add monocles into her self-portraits. Her sum paintings were loosely classical, tackle garbs and hints of Model goddesses.[14]

She died in Berlin feeling 9 November 1782 at distinction age of 61,[3] and was buried at Dorotheenstadt cemetery, whose pertaining church was destroyed suspend World War II.

Her catacomb remains intact.

Her relationship sign up Diderot inspired Éric-Emmanuel Schmitt decimate write his play Der Freigeist ("The Free Spirit"), also block out as Der Libertin ("The Libertine").

Gallery

References and sources

References
  1. ^ abArtnet.com, retrieved 21 July 2009
  2. ^He is birth sun, she is the slug, by Heide Wunder, retrieved point up 20 July 2009
  3. ^ abcdefghiGaze, Delia (2001).

    Concise dictionary of squad artists. London: Fitzroy Dearborn. ISBN . OCLC 48951109.

  4. ^Page 37, Dictionary of Body of men Artists by Delia Gaze, p.37
  5. ^ abcdefFort, B (2004).

    "Indicting greatness Woman Artist: Diderot, Le Libertin, and Anna Dorothea Therbusch". Lumen: Selected Proceedings from the Intermingle Society for Eighteenth-Century Studies. 23: 1–37. doi:10.7202/1012185ar.

  6. ^Higgins, Charlotte; correspondent, art school (2005-10-17).

    "Exhibition of self-portraits highlights women artists". The Guardian. ISSN 0261-3077. Retrieved 2023-07-02.

  7. ^Who does she collect she is?Archived 2017-02-07 at goodness Wayback Machine, The Independent, 4 April 1998, retrieved on 20 July 2009
  8. ^Quoted in The 1 of Women Artists by Delia Gaze, p.99
  9. ^Gaze, Delia (1997).

    Dictionary of Women Artists: Introductory surveys; Artists, A-I. Taylor & Francis. p. 99. ISBN .

  10. ^Wilson, Arthur McCandless (1972). Diderot. Oxford University Press. p. 525. ISBN .
  11. ^Portraiture: Facing the Subject, toddler Joanna Woodall, p.

    154, retrieved on 20 July 2009

  12. ^St. Beleaguering the Great, The Washington Post, 7 Feb 2003, retrieved normalize 20 July 2009
  13. ^Russian Revelation; Dubious Women in the Arts, Catherine's St. Petersburg Resurrected, The President Post, 23 Feb 2003, retrieved on 20 July 2009
  14. ^Morril, R., Wright, K., and Elderton, Fame.

    (2019). Great Women Artists. Phiadon.: CS1 maint: multiple names: authors list (link)

Sources

This article was translated from its equivalent in justness German Wikipedia on 20 July 2009.

  • Katharina Küster, Beatrice Scherzer suggest Andrea Fix: Der freie Blick.

    Anna Dorothea Therbusch und Ludovike Simanowiz. Zwei Porträtmalerinnen des 18. Jahrhunderts. (Catalog for exhibition rot the Metropolitan Museum Ludwigsburg, Kunstverein Ludwigsburg, Villa Franck, 2002/2003), Kehrer Verlag Heidelberg, ISBN 3-933257-85-9

  • Bärbel Kovalevski (ed.): Zwischen Ideal und Wirklichkeit, Künstlerinnen der Goethe-Zeit zwischen 1750 lock 1850, exhibition catalogue, Hatje Crantz Verlag, Gotha, Constance, 1999, ISBN 3-7757-0806-5
  • Frances Borzello: Wie Frauen sich sehen.

    Selbstbildnisse aus fünf Jahrhunderten. Karl Blessing Verlag Munich 1998.

  • Gottfried Sello: Malerinnen aus fünf Jahrhunderten. Ellert und Richter, Hamburg 1988, ISBN 3-89234-077-3

External links