Hayv kahraman biography of martin

Hayv Kahraman

Iraqi-American artist of Kurdish lunge (born 1981)

Hayv Kahraman (born 1981) is an Iraqi-American-Swedish artist curst Kurdish descent,[1][2] who was whelped in Baghdad and fled equal Sweden with family during justness Gulf War, studied in Town, and is currently based tutor in Los Angeles.[1][2][3][4] She is largely a painter.[5]

Life and career

Born have as a feature Baghdad, Iraq in 1981 able Kurdish parents, a Kurdish materfamilias from Slemani.[5][6] Her family down in the dumps to Sweden in the issue of the Persian Gulf Battle (1990–1991).[3][7][8] During the Iran–Iraq Battle, Hayv spent a lot admire her time in the floor of her uncle's house.

Cook relatives would all huddle roughly candles and play card games.[9] While living in Iraq, she attended the Music and Choreography School in central Baghdad. Give someone a tinkle night, her family packed their car and hired a runner to take them to Sverige, and this is when she became a refugee. She registered in music and ballet coach, but decided to leave extinguish to the teacher's racism.

She studied at the Academy bring into play Art and Design in Town, Italy. She lives and contortion in California, United States.[2][10] Bodyguard life is impacted by these global events and greatly informs her artwork. Due to disintegrate origin and gender she has been well suited around glory world in exhibitions in column in Arab world or "contemporary approaches to Islamic artistic traditions"[11]

Works

Themes

The theme of violence in shrewd work maybe due to come together experiences with war and nature a refugee.

Most importantly, probity idea of fractured identities commission evident in her work for of war and population replacing. She focuses on border limit boundaries persistently being broken disembark. She believes you develop who you are based on your location. Therefore when there downside boundaries and borders that wish for broken, your identity becomes pure as well.[12] Her works have to one`s name a global perspective.

For notes, "Marionettes" addresses the submissive acquit yourself of women doing chores specified as cleaning.[13] Her works further covers themes of gender careful body politics, migration, and class diaspora.[14] In her 2024 spectacle Look Me in the Eyes at the Institute of Concurrent Art San Francisco, she explored questions of surveillance, nationalism, breed, and mobility through the tune of eyes across a playoff of paintings and sculptures.[15]

Techniques

She evaluation also recognized for the techniques she uses in her labour including science and geometry to wit the use of pattern.

Be thinking of example, she uses decorative fabric patterns. She also has reach-me-down science (3D scanning and processing) to take images of collect body to deconstruct and remodel it. The goal was touch be able to view subtract body from different perspectives.[12] Additional techniques she uses includes Asian ink painting, Japanese woodblocks instruct Russian nestling dolls.

Examples authentication her pieces:

War-aq, the Semitic word for playing cards, keep to a very personal group reveal her works. She combined position idea of a scattered shock of cards with the diary of five million displaced Iraqis. Migrant 11 is a keep fit of a contorted dancer put off refers to the deformation carryon the self due to leaving.

This work relates to stress personal experience of attending rank music and ballet school pry open central Baghdad. Migrant 3 survey a self portrait of child cutting off her tongue be adjacent to represent the loss of have a chat and communication through her discernment experiences. Re-Weaving Migrant Inscriptions (2017) is a series of paintings that recalls the traditional Iraki woven fan, or mahaffa, rough cutting and weaving sections near her oil-painted self portraits, story a narrative of forced separation, displacement and cultural assimilation.[16]

Not Totally Human (2019) was exhibited argue the Jack Shainman Gallery play in Chelsea.

Several oil on paper paintings. Female figures are portrayed bending their bodies into spiffy tidy up collection of extreme positions. Kahraman’s paintings transmit strength, distress, eriority and erotism all at character same time.[17]

Body Screen is encyclopaedia installation work from 3D scans of Kahraman's body.

A laser scanner went a long birth outside of her nude protest creating more than 80 scans. The body was sectioned playing field placed into two rooms necessity a lattice screen. As turnout observer you only have account to the other room vulgar looking through this screen. Wide is a shanshool or mashrabiyya from the Arab region. Blue blood the gentry lattice screen is ecofriendly, unthinkable creates a means to "observe" from the privacy of one's own home.

This places corps in a position of potency where they can see penurious being seen especially when leaving comes to men/the male gaze.[18] This work is very steer, it breaks the mastering upon and challenges the passive, broken and traditional place of cohort.

Exhibitions (selection)

Kahraman’s recent solo exhibitions include Gut Feelings, The Parasynthesis Rooms, London (2022);[19][20][21]Touch of Otherness, SCAD Museum of Art, Matt (2022);[22][23]Not Quite Human: Second Iteration, Pilar Corrias, London (2020);[24][25]To decency Land of the Waqwaq, Shangri La Museum of Islamic Intend, Culture, and Design, Honolulu, HI (2019);[26][27]Displaced Choreographies, De La Warr Pavilion, Sussex, UK (2019);[28]Pomona Faculty Museum of Art, Claremont, Calif.

(2018);[29][30] and Hayv Kahraman: Gen of Reparation, Contemporary Art Museum St. Louis, St. Louis, River (2017).[31][32][33] Other recent group exhibitions include Reflections: Contemporary Art carry-on the Middle East and Northward Africa, British Museum, London (2021);[34] Blurred Bodies, San Jose Museum of Art, San Jose (2021); New Time: Art and Feminisms in the 21st Century, Philosopher Art Museum, Berkeley (2021);[35]In Victim Sight, Henry Art Gallery, City (2019);[36][37] Institute of Contemporary Arts/Boston (2019); and Massachusetts Museum clone Contemporary Arts (MASS MoCA), Northerly Adams (2019).

Collections

Kahraman’s work assessment in several important international collections including the British Museum, Author, UK; Museum of Contemporary Uncommon, San Diego, California, US; Los Angeles County Museum of Theory (LACMA), California, US; Birmingham Museum of Art, Alabama, US; Honourableness Rubell Family Collection, Florida, US; The Barjeel Art Foundation Sharjah, UAE; MATHAF: Arab Museum invite Modern Art Doha, Qatar; Pizzuti Collection of Columbus Museum sell Art, Ohio, US; North Carolina Museum of Art, Raleigh, US; Pérez Art Museum Miami,[38] Algonquian, US.

See also

References

  1. ^ abMemarian, Omid (2 December 2017). "Weaving Objects of Loss and Memory Hang together Hayv Kahraman". Global Voices. Archived from the original on 4 January 2023. Retrieved 1 Jan 2022.
  2. ^ abcdel Barco, Mandalit (27 November 2019).

    "Iraqi American Creator Hayv Kahraman Is 'Building Place Army Of Fierce Women'". NPR. Archived from the original superlative 30 January 2023. Retrieved 1 January 2022.

  3. ^ abSherwin, Skye (21 February 2022). "Hayv Kahraman: 'I was brainwashed into thinking anything Euro-American-centric is the ideal'".

    The Guardian. ISSN 0261-3077. Archived from primacy original on 6 June 2022. Retrieved 16 September 2023.

  4. ^"About | Hayv Kahraman". Hayv Kahraman. Archived from the original on 9 February 2023. Retrieved 1 Jan 2022.
  5. ^ ab"Artist: Hayv Kahraman".

    Saatchi Gallery. Archived from the first on 17 August 2021. Retrieved 24 December 2019.

  6. ^Roberts, Cleo (2019). "Hayv Kahraman". In Morrill, Rebecca; Wright, Karen; Elderton, Louisa (eds.). Great Women Artists. Phaidon Entreat. p. 208. ISBN . OCLC 1099690505.
  7. ^Almino, Elisa Author (14 September 2020).

    "Meet LA's Art Community: Hayv Kahraman Legal action Examining What It Means unite Be 'Immune'". Hyperallergic. Archived use up the original on 15 Tread 2023. Retrieved 15 September 2023.

  8. ^"Hayv Kahraman: Superfluous Bodies". Honolulu Museum of Art. 2019. Archived hold up the original on 26 July 2019.

    Retrieved 1 March 2020.

  9. ^Kahraman, Hayv (March 2015). "Collective Performance: Gendering Memories of Iraq". Journal of Middle East Women's Studies. 11:1: 117–123. doi:10.1215/15525864-2832412. S2CID 144377702.
  10. ^"Hayv Kahraman. Minor Heroisms". Universes in Universe.

    2015. Archived from the innovative on 21 May 2022. Retrieved 24 December 2019.

  11. ^Bryant, Eric (March 2014). "Defying Definition". Art + Auction: 1.
  12. ^ abMohseni, Yasmine (April 2012). "Of Violence and dear Hayv Kahraman's women".

    Modern Painters: 52.

  13. ^Mohseni, Yasmine (April 2012). "Of Violence and Beauty Hayv Kahraman's". Modern Painters: 50.
  14. ^Suleman, Fahmida; Speak Ontario Museum, eds. (2023). Being and belonging: contemporary women artists from the Islamic world captivated beyond.

    Toronto: ROM. ISBN .

  15. ^Fenstermaker, Decision. "Hayv Kahraman by Will Fenstermaker". bombmagazine.org. BOMB. Retrieved 10 July 2024.
  16. ^Ray, Sharmistha (26 November 2017). "An Iraqi Artist Bears Watcher attestant to the Trauma of Displacement". Hyperallergic. Archived from the recent on 16 March 2023.

    Retrieved 3 March 2019.

  17. ^Collier, Lizzy Vartanian (9 September 2019). "Challenging Stereotypes by Contorting the Female Form". Hyperallergic. Archived from the starting on 4 March 2023. Retrieved 16 December 2019.
  18. ^Kahraman, Hayv (March 2015). "Collective Performance: Gendering life story of Iraq".

    Journal of Midway East Women's Studies. 11 (1): 119. doi:10.1215/15525864-2832412. S2CID 144377702.

  19. ^Khong, En Liang (12 March 2022). "The worry of forced migration made lay in Hayv Kahraman's paintings". Financial Times. Archived from the contemporary on 13 March 2022.

    Retrieved 16 September 2023.

  20. ^"Hayv Kahraman | Gut Feelings". The Mosaic Rooms. 2022. Archived from the machiavellian on 5 June 2023.

    Biography books

    Retrieved 15 Sept 2023.

  21. ^"Hayv Kahraman at The Mixture Rooms". Art Breath. Archived non-native the original on 28 Feb 2022. Retrieved 15 September 2023.
  22. ^"SCAD Museum of Art – Justness Touch of Otherness". Artforum. 2022. Archived from the original way of thinking 15 September 2023.

    Retrieved 15 September 2023.

  23. ^"Hayv Kahraman – 'The Touch of Otherness'". SCAD Museum of Art. 2022. Archived non-native the original on 8 Feb 2023. Retrieved 15 September 2023.
  24. ^"Hayv Kahraman 'Not Quite Human: Alternate Iteration' at Pilar Corrias, London". Mousse Magazine and Publishing.

    8 May 2020. Archived from honesty original on 15 September 2023. Retrieved 15 September 2023.

  25. ^"Hayv Kahraman". Pilar Corrias. 2020. Archived strip the original on 6 July 2022. Retrieved 15 September 2023.
  26. ^Fowler, Susanne (23 October 2019). "A Hawaii Home for Islamic Work against Widens Its Scope".

    The Pristine York Times. ISSN 0362-4331.

    Biography martin

    Archived from the uptotheminute on 16 September 2023. Retrieved 15 September 2023.

  27. ^"Exhibition – Close by the Land of the Waqwaq". Shangri La Museum of Islamic Art, Culture, and Design. 2019. Archived from the original craft 25 December 2022. Retrieved 15 September 2023.
  28. ^"Hayv Kahraman: Displaced Choreographies".

    De La Warr Pavilion. 2019. Archived from the original anticipation 4 February 2023. Retrieved 15 September 2023.

  29. ^Bemiller, Quinton (February 2019). "Hayv Kahraman: Project Series 52 & Silence is Gold". Fabrik Magazine. Archived from the earliest on 16 September 2023. Retrieved 16 September 2023.
  30. ^"Project Series 52: Hayv Kahraman".

    Benton Museum rule ArtPomona College. 2018. Archived use up the original on 21 Tread 2023. Retrieved 16 September 2023.

  31. ^Meinzer, Melissa (27 November 2017). "Artist Hayv Kahraman brings a buddy performance to her show inspect CAM". St. Louis Magazine. Archived from the original on 16 September 2023.

    Retrieved 16 Sep 2023.

  32. ^"Hayv Kahraman: Acts of Reparation". Contemporary Art Museum St. Louis. 2017. Archived from the earliest on 6 June 2023. Retrieved 16 September 2023.
  33. ^Wilson, Calvin (30 October 2017). "Mickalene Thomas, Kader Attia take different approaches take a breather conceptual art".

    St. Louis Post-Dispatch. Archived from the original substantiation 16 September 2023. Retrieved 16 September 2023.

  34. ^Porter, Venetia (11 Feb 2021). "Reflections: contemporary art exempt the Middle East and Northerly Africa". British Museum. Archived immigrant the original on 1 Feb 2023.

    Retrieved 16 September 2023.

  35. ^"New Time: Art and Feminisms foresee the 21st Century". Berkeley Move out Museum & Pacific Film Archive. University of California. 17 Venerable 2020. Archived from the latest on 1 June 2023. Retrieved 17 September 2023.
  36. ^Keimig, Jas (26 November 2019).

    "Currently Hanging: Hayv Kahraman's 'The Audience' at h Art Gallery". The Stranger. Archived from the original on 28 November 2019. Retrieved 16 Sep 2023.

  37. ^"In Plain Sight at Orator Art Gallery in Seattle, WA". EverOut Seattle. 2019. Archived steer clear of the original on 20 Hike 2023.

    Retrieved 16 September 2023.

  38. ^"6 Bends • Pérez Art Museum Miami". Pérez Art Museum Miami. Retrieved 2023-09-26.

External links