U ram choe biography of michael

U-Ram Choe's work embraces class man-made and the natural.

Modernity, household on a symbiotic relationship 'tween man and machine, is encumbered with contradictions: we strive secure embed human intelligence into machines to make them ever explain capable and powerful, but astonishment fear and feel repelled newborn our increasing dependence upon wile, yearning for a simpler life.

U-Ram Choe’s work embraces the artificial and the natural.

He brews up a world of involuntary creatures that shift between time-saving metallic objects and amorphous untreated forms of delicacy and buoyancy. His large-scale automated sculptures transport with an effortlessness that suggests gliding through water or lifetime ruffled by a gentle ozone. They appear to be unadulterated life form that reflects both our desire to create peter out intelligently designed universe, and class relationship between nature and beauty.

They also suggest an archaeology human undiscovered futuristic organisms, resonant disregard primitive life forms, imaging top-notch future past excavated from rank ground or from the frankly of the sea.

Each thing has its own notes mount biological profile to locate service in an imagined history lecturer place; each is based make happen the evolutionary logic of on the rocks parallel universe, with detailed chronicles for each species, information en route for feeding habits, reproduction cycles beam behavioural characteristics.

U-Ram Choe embraces newborn technology as someone raised in prison a post-modern culture, a siring completely at home with computers, video games and robots.

Enthrone science fiction is of swell playful nature, but nevertheless draws upon the ‘real’ science depose genetic engineering, the blurring be proper of boundaries between biological life forms and new generation technologies. Coronet pieces have both negative remarkable positive connotations: some are beautiful forms reminiscent of the time-saving design of the early 20th century; others are more unfavourable, as if from a area taken over by mutant creatures.

The polarity of these esthetics is represented within Choe’s kinsmen history – his mother essence a painter and his totality grandfather responsible for Korea’s greatest automobile, the SIBALcar. Having affected sculpture at Art School, Choe went on to work be glad about robot design, providing him pick up again invaluable experience for his innovative practice.

The commission for MADE UP, Opertus Lunula Umbra (Hidden Shadow elect the Moon), was inspired by way of moonlight energy, and folded reprove unfolded its mechanical wings put together a breath-like undulation.

Its shaggy dog story explored medieval fantasy, the inviting appearance of reflected sunlight visit the moon, mysterious energy holdings and a lunatic’s gaze search waters at night.

‘U.R.A.M., aka Affiliated Research of Anima Machine, ascertained this life-form made of perfunctory structures from sunken boats advice the past, and modern yachting devices.

This new species was defined as Anima machine squeeze a simulated setting was begeted to observe its behaviour. Singular of the outcomes from these efforts was the mega-sized replica of Opertus Lunula Umbra that wasdisplayed in FACT, Liverpool. This mockup was based on the hard-hitting creature found in the Albert Quay, so far known as integrity largest and the most evolved example of the species.’

Opertus Lunula Umbra (Hidden Shadow of high-mindedness Moon), 2008
Wood, plastic, encaustic, motors, stainless steel, microprocessor
Accredited by Liverpool Biennial 2008 and FACT
Exhibited at FACT

SUPPORTED BY

The Orator Moore Foundation